Abstract Expressionist painter Todd Monaghan is a New York City artist who specializes in what Tony Solomon of the Andy Warhol foundation described as "spiritual surrealism". He has shown in various galleries in the United States and abroad and is part of academic, corporate and private collections internationally.
Todd Monaghan is a New York City artist who specializes in what Tony Solomon of the Andy Warhol foundation described as "spiritual surrealism". He has shown in various galleries in the United States and abroad and is part of academic, corporate and private collections internationally.
Monaghan has no easel, he paints in an unconventional way, pinning canvases to the studio walls then bringing them to the floor then back to the walls again and then the floor searching to see something new each time. Monaghan applies paint by flicking, spilling and dripping it. he is spontaneous in movement welcoming chance and experimentation. Monaghan's work is colorful and textural and has a sense of discovery. He creates multi-level immersive works that encourage the viewer to explore the parts as well as the overall whole of the works and their interplay.
By constantly reinventing the game of painting (i.e., flipping in various direction, using various conventional and unconventional materials), Monaghan seeks to uncover the story that exists within the paint. Like a sculpture uncovers the piece within the stone, he works to uncover the characters that exist within the paint. In this way, Monaghan approaches his work from a mystical/spiritual perspective with an emphasis on intuition.
Through his various studies of breath awareness in the martial arts, acting and yoga, Monaghan realized that there is an energy that springs forth from Mother Nature herself. He realize that this energy, which exists outside the five senses, guides and informs the five senses. In his work, Monaghan strives to channel this life force by becoming an instrument for it.
Just as a story has a surface text and subtext, so do each and every one of Monaghan's pictures. The basic images evolve so that, with each new viewing, underlying images “pop” from the paint. Each form takes on various images as one looks deeper and deeper, imbuing the picture with new meaning, just as the face in a rock or tree imbues in it the spirit of life itself.
Through this process Monaghan strives to create an exciting distillation of our political, spiritual and out-of-control pop culture colliding in the 21st Century.
This is an ever-evolving process.
b. 1964, Philadelphia, PA
Lives and works in New York, NY